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Spotlights [Issue
#
7 ]
Gerald Gradwohl:
By
Dean Truitt

Austrian guitar
virtuoso Gerald Gradwohl continues his astonishingly prolific career by unleashing
ABQ, a fusion masterpiece supported by a legendary ensemble. The
36-year-old journeyman, who has already released ten albums of
his own and with an array of groups, called upon the respective talents
of Bob Berg, Gary Willis, and Kirk Covington to realize this monumental
feat. Sadly, saxophonist Bob Berg died in a car accident shortly after the completion
of the recording sessions. One can hope that Gradwohl feels consolation
in realizing that he provided a brilliant outlet for
Berg, his friend and inspiration, to bid farewell.
Austrian guitar
virtuoso Gerald Gradwohl continues his astonishingly prolific career by unleashing
ABQ, a fusion masterpiece supported by a legendary ensemble. The
36-year-old journeyman, who has already released ten albums of
his own and with an array of groups, called upon the respective talents
of Bob Berg, Gary Willis, and Kirk Covington to realize this monumental
feat. Sadly, saxophonist Bob Berg died in a car accident shortly after the completion
of the recording sessions. One can hope that Gradwohl feels consolation
in realizing that he provided a brilliant outlet for
Berg, his friend and inspiration, to bid farewell.
From the opening passages of Pau Wau, ABQ percolates with
unbridled enthusiasm and carefree abandon. The musicians interwoven
connection is so seamlessly locked that it sounds as though one
person plays all the parts simultaneously. While Covington swats at
the drums with power and finesse, Willis lays down his trademark groundwork
of fluid precision. Above the pulsing foundation, Gradwohl
and Berg trade lines with otherworldly communication.
One fascinating aspect of ABQ is that Gradwohl incorporates modern devices
such as drum loops within the songs. While some rigid jazz purists would
argue that using these techniques dilutes the purity of the recording, nothing
could be further from the truth. In explaining his decision to utilize
cutting edge creativity, the artist explains, The continuous loops we
used . . . come from my study of contemporary sounds. I think such ingredients
go absolutely well with Fusion and groove-oriented music.
While the albums eclecticism offers fresh perspective, Gradwohl never
lets the listener forget that he is an ardent admirer of Jazz tradition. The
quartets ornately detailed interpretation of Coltranes Giant
Steps shows a veteran sophistication and selflessness to support
the song, rather than overplay. In discussing the pursuit of his passions,
the modest prodigy observes, In the end, the audience decides whether
it likes my music or not. If he continues to produce material of this
excellent standard, Gerald Gradwohl will consistently amass fans across the
globe.
ABQ
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